Artist and photographer Minnie Weisz’ most recent exhibition explores
The work focuses on the architecture of Kings Cross, photographing the abandoned and derelict remains of Victorian buildings and in turn revealing stories from its history. The exhibition builds on Weisz’ fascination with the past, a feature of many of her recent works. Including revisiting the now demolished Culross building with an ex-resident to hear his memories. This is the first fine art exhibition for Caroline Collinge, and the first collaboration between the two artists.
Throughout the works on display there are continuous references to bones and teeth, with skeleton-like structures reflecting the carcass of Victorian Kings Cross and the memories within. Collinge explores a range of materials, including paper folding using old maps and pages from books, shaping them into costume, forms and structures using origami techniques as well as a large-scale crinoline bone. Both artists describe their collaboration as a natural meeting of vision and understanding. The derelict areas they explored could have seemed unwelcoming, but the two artists developed and produced a fantasy impression of what might have otherwise become an impersonal tour of abandoned spaces.
Each night throughout the exhibition films will be shown in the window of the Minnie Weisz gallery for the “stray dogs, passersby and streetwalkers” that roam Kings Cross. The opening night reception featured a reading by visionary writer Aidan Andrew Dun, known as the Poet of Kings Cross. He read from Vale Royal (1995), a verse poem in two cycles and a haunting narrative that seems to grasp the core of
The display was part of the Reveal festival, a ten day series of events and exhibitions in and around the Kings Cross area.
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